Driving Towards Perfection

 

  Driving Towards The Daylight Blues

By N. H. Foster

Thirteen studio albums in and Joe Bonammassa's insatiable appetite for producing sublime albums show no signs of abating. In my opinion all 13 albums are terrific but JB hit a real rich vein of form with the release of the Sloe Gin album and Driving Towards the Daylight is right up there.

There can be little argument that Bonamassa is one of the best guitar players on the planet but what is great to see is the continuing vocal maturity and the way in which Bonamassa now has the confidence to know that sometimes less is more.

Driving Towards the Daylight is an eccelctic combination of original numbers and covers of some of Bonamassa's luminaries. This is one aspect that seems to contunually draw criticism, the lack of total original material on his albums. Personally I don't get it, when the music is as good as this and it is clear how much the guy reveres his heroes why not just revel in the opportunity to hear some classics reworked by a modern day genius. This album sees a return to a slightly rootsier, rougher sound than last year's Dustbowl, a mere obsevation, not a criticism.

Of some of the original work here Driving Towards the Daylight is destined to become a live classic, it is a haunting and beautiful song that drifts out of the speakers. Opener Dislocated Boy has a low down groove to it, whilst Heavenly Soul is simply stunning. Three songs that begin to encompass Bonamassa's talents.

Of the covers for me all are true gems in their own way; Robert Johnson's Stones In My Passway is Zeppelinesque in its sound and delivery, Howlin' Wolf's Who's Been Talking is delightful and the choice of Too Much Ain't Enough Love with Jimmy Barnes reprising his unique roadhouse vocal is a masterstroke. The two JBs compliment each other perfectly. However, the standout in my opinion is the truly awesome Place In My Heart, originally written by guitar maestro Bernie Marsden. Bonamassa excels on the solos and delivers the vocal with real feel.

The whole package fits together perfectly and makes for around an hour of real bliss.

Forget the rubbish about not being all original songs just listen and enjoy musicianship of the very highest order!

St. James Infirmary :Blue song

Let Them Talk (Special Edition)

I knew Hugh Laurie was a multi-talented performer, but this CD is outstanding. The emotions he captures in both his singing and piano playing are so real. You can tell that this is not a "stunt" or "novelty" recording. He feels this music in his soul, and he shines! The other musicians he collaborates with are fantastic as well. I love this disc.

He can't sing all that well, but i can't stop listening to this CD he brings back memories of the originals.

they didn't have good voices either, they were able to sell their stories. this is why i recommend this album.

I look forward to more blues from hugh, and will be playing this album again and again  as you probably realize, by now i'm a blues lover from way back.

Hugh Lawrie as a soul and blues singer ? - he's a dam good singer and musician but definately not a Soul and Blues singer he's voice is too ENGLISH - he doesn't have that soul souding voice to carry the choice of songs off sucessfully - the accompianing musician's on the other hand are superb David Piltch on the bass -great, Greg Litsz and Kevin Brett etc etc there all good, but sorry not Hugh Laurie singing the blues. If you want to listen to English men singing the blues go listen to Chris Rea, Van Morrison, Eric Clapton, Peter Green, Stevie Winwood, and for me the best English blues singer of all - Chris Farlowe, just to name a few but not Hugh Laurie sorry.

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